{"id":130391,"date":"2026-04-19T17:18:16","date_gmt":"2026-04-19T20:18:16","guid":{"rendered":"https:\/\/www.revistadeck.com\/?p=130391"},"modified":"2026-04-20T15:05:17","modified_gmt":"2026-04-20T18:05:17","slug":"teatro-glasshouse-by-snohetta","status":"publish","type":"post","link":"https:\/\/www.revistadeck.com\/sitio\/teatro-glasshouse-by-snohetta\/","title":{"rendered":"<b>Teatro Glasshouse.<\/b> El nuevo \u00edcono cultural de QPAC en Brisbane"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><b>Por |<strong> Blight Rayner Architecture,&nbsp;Sn\u00f8hetta <\/strong><\/b><strong><strong><strong><strong><strong><strong><strong>| Fotograf\u00eda | <strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong>Christopher Frederick Jones<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><br>El nuevo Teatro Glasshouse del Queensland Performing Arts Centre (QPAC) en South Bank es un espect\u00e1culo digno de contemplar, definido por su fachada de vidrio ondulante y su ambici\u00f3n de redefinir la forma en que un importante edificio cultural interact\u00faa con la ciudad. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dise\u00f1ado por Blight Rayner Architecture en asociaci\u00f3n con Sn\u00f8hetta, el recinto de 1.500 asientos convierte a QPAC en el centro de artes esc\u00e9nicas m\u00e1s grande bajo un mismo techo en el pa\u00eds, capaz de presentar ballet, danza, sinfon\u00eda, \u00f3pera, teatro y musicales de clase mundial al mismo nivel. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Blight Rayner y Sn\u00f8hetta ganaron el concurso internacional de dise\u00f1o para el proyecto en mayo de 2019. El encargo permit\u00eda que el edificio se proyectara unos seis metros en voladizo en sus dos fachadas que dan a la calle, con el fin de ajustar las dimensiones requeridas al terreno, sobre el parque Playhouse Green ya existente.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"793\" height=\"515\" src=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-4.jpg\" alt=\"Teatro Glasshouse by Blight Rayner Architecture,\u00a0Sn\u00f8hetta\" class=\"wp-image-130393\" srcset=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-4.jpg 793w, https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-4-300x195.jpg 300w\" sizes=\"(max-width: 793px) 100vw, 793px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>BORDE TRANSPARENTE<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La idea de los arquitectos era crear un borde altamente transparente en el voladizo para minimizar su impacto visual. Visto a trav\u00e9s de \u00e9l, el &#8216;bloque&#8217; del teatro se alinea con el dise\u00f1o del edificio existente como parte de la estrategia de respetar el estatus patrimonial del QPAC y del arquitecto de Queensland Cultural Precinct, Robin Gibson AO. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La idea de dar un aspecto ondulado a la fachada de cristal surgi\u00f3 de un poema en prosa escrito por la anciana y artista aborigen Lilla Watson, que hac\u00eda referencia a las ondas del r\u00edo Brisbane y a los peces que nadaban bajo la superficie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00abPensamos en hacer de la fachada transparente un escenario para un tipo de teatro p\u00fablico donde las personas en los vest\u00edbulos fueran vistas de diversas maneras, claras y borrosas desde la calle. Y quer\u00edamos incorporar los inicios de las narrativas de las Primeras Naciones relacionadas con el contexto en el dise\u00f1o\u00bb, explica Michael Rayner, Director de Blight Rayner Architecture.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"793\" height=\"468\" src=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-2.jpg\" alt=\"Teatro Glasshouse by Blight Rayner Architecture,\u00a0Sn\u00f8hetta\" class=\"wp-image-130394\" srcset=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-2.jpg 793w, https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-2-300x177.jpg 300w\" sizes=\"(max-width: 793px) 100vw, 793px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>SIETE CUENCAS<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Una de estas historias se refiere a las siete claraboyas del tejado, que representan las siete cuencas hidrogr\u00e1ficas de Queensland, seg\u00fan la investigaci\u00f3n realizada por la anciana de las Primeras Naciones, Aunty Colleen Wall. A ello se suma la escultura \u00abFloriate\u00bb, del artista de las islas del Estrecho de Torres, Brian Robinson, que representa siete plantas con flores emblem\u00e1ticas que crecen en abundancia por todo Queensland.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00abHemos tratado a trav\u00e9s del dise\u00f1o de maximizar el compromiso entre la vida p\u00fablica de la ciudad y las artes esc\u00e9nicas, y hacer que las artes se sientan m\u00e1s accesibles\u00bb, dice Jayson Blight, Director de Blight Rayner Architecture.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las paredes de vidrio ondulado aportan un car\u00e1cter espectacular a los vest\u00edbulos. Est\u00e1n dise\u00f1adas con gran precisi\u00f3n para ofrecer un alto rendimiento t\u00e9rmico y fabricadas en cuatro capas con una c\u00e1mara de aire entre ellas. Las caras que reciben luz solar directa cuentan con un revestimiento de cer\u00e1mica negra que act\u00faa como una persiana integrada para bloquear la penetraci\u00f3n solar, lo que optimiza el rendimiento energ\u00e9tico del edificio y minimiza el deslumbramiento.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"793\" height=\"595\" src=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-3.jpg\" alt=\"Teatro Glasshouse by Blight Rayner Architecture,\u00a0Sn\u00f8hetta\" class=\"wp-image-130395\" srcset=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-3.jpg 793w, https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-3-300x225.jpg 300w\" sizes=\"(max-width: 793px) 100vw, 793px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>CONTRASTES<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La luminosidad y la amplitud de los vest\u00edbulos contrastan de forma espectacular con el interior del teatro, concebido como un capullo de paredes de madera de eucalipto gris oscuro y alfombra verde selva.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00abEl auditorio fue concebido como un entorno de rendimiento altamente adaptable, capaz de albergar un amplio espectro de formas art\u00edsticas. El teatro fue dise\u00f1ado para funcionar como un instrumento musical finamente ajustado &#8211; ajustable para apoyar producciones de \u00f3pera, ballet, danza, sinfon\u00eda, teatro y musicales de clase mundial,\u00bb dice Gumji Kang, Director General de Sn\u00f8hetta Australasia.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La distancia entre el escenario y el asiento m\u00e1s alejado del teatro es de solo 28 metros, apenas tres metros m\u00e1s que una piscina ol\u00edmpica de tama\u00f1o medio. Gracias a los balcones que rodean el teatro, el ambiente resulta incre\u00edblemente \u00edntimo tanto para el p\u00fablico como para los artistas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00abInspir\u00e1ndonos en las cualidades de los instrumentos de cuerda, hemos combinado la precisi\u00f3n t\u00e9cnica con una intimidad evocadora, enriquecida por capas de cintas de madera que transmiten la esencia misma de Queensland\u00bb, dice Kang.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"793\" height=\"366\" src=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-5.jpg\" alt=\"Teatro Glasshouse by Blight Rayner Architecture,\u00a0Sn\u00f8hetta\" class=\"wp-image-130396\" srcset=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-5.jpg 793w, https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse-5-300x138.jpg 300w\" sizes=\"(max-width: 793px) 100vw, 793px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>TOTALMENTE AUTOMATIZADO<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El foso de la orquesta cuenta con tres secciones del suelo que pueden subirse o bajarse de forma independiente para adaptarse a orquestas de distintos tama\u00f1os, y hay cuatro configuraciones diferentes del foso, dos m\u00e1s de lo habitual. El sistema de elevaci\u00f3n est\u00e1 totalmente automatizado. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La torre de elevaci\u00f3n tiene 24 metros de altura y las cuerdas de elevaci\u00f3n se extienden para que los objetos y los artistas puedan sobresalir por encima del p\u00fablico. Rachel Healy, Directora Ejecutiva de QPAC, dijo que el Teatro Glasshouse es un hito que fortalece la reputaci\u00f3n de Queensland como un destino de turismo cultural.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00abEl apetito por las artes esc\u00e9nicas en Queensland es insaciable y la necesidad de un nuevo teatro se mencion\u00f3 hace m\u00e1s de una d\u00e9cada. Con el Teatro Glasshouse ya abierto junto a nuestros otros cuatro teatros, esperamos dar la bienvenida a 300.000 personas m\u00e1s para aumentar a 1.6 millones de visitantes por a\u00f1o\u00bb, dice Rachel Healy, Directora Ejecutiva de QPAC. <\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>La Directora Ejecutiva contin\u00faa: \u00abEste teatro, con capacidad para 1.500 espectadores, nos brinda adem\u00e1s una mayor capacidad para atraer a artistas de talla mundial y estrenos exclusivos en Australia a Queensland \u2014como el icono musical mundial Sting en *The Last Ship*\u2014 y contribuir\u00e1 a que el Recinto Cultural de Queensland se convierta en uno de los recintos culturales m\u00e1s grandes y activos de Australia a medida que nos acercamos a los Juegos Ol\u00edmpicos y Paral\u00edmpicos de Brisbane 2032\u00bb.<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>ESFUERZO DE EQUIPO<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Finalmente, Jayson Blight comenta que el Teatro Glasshouse es el resultado de un gran trabajo en equipo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u00abNuestro equipo de Blight Rayner \/ Sn\u00f8hetta dedic\u00f3 un gran esfuerzo a perfeccionar el teatro junto con nuestros consultores clave Schuler Shook y Acoustic Studios. Tambi\u00e9n esperamos que el Teatro Glasshouse sea reconocido por la contribuci\u00f3n que hace a la ciudad, en un sentido c\u00edvico as\u00ed como cultural.\u00bb<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FICHA T\u00c9CNICA<br>Arquitectura: <a href=\"https:\/\/www.instagram.com\/blightrayner\/\">Blight Rayner Architecture<\/a>,\u00a0<\/strong><a href=\"https:\/\/www.instagram.com\/snohetta\/\"><strong>Sn\u00f8hetta<\/strong>.<\/a><br><strong>Ubicaci\u00f3n:<\/strong> Brisbane City, <a href=\"https:\/\/www.revistadeck.com\/sitio\/tag\/australia\/\">Australia.<\/a><a href=\"https:\/\/www.revistadeck.com\/sitio\/tag\/brasil\/\"><br><\/a><strong>A\u00f1o:<\/strong> 2026.<br><strong>Fotograf\u00eda: <\/strong><a href=\"https:\/\/www.instagram.com\/christopherfrederickjones\/\"><strong>Christopher Frederick Jones<\/strong>.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por | Blight Rayner Architecture,&nbsp;Sn\u00f8hetta | Fotograf\u00eda | Christopher Frederick JonesEl nuevo Teatro Glasshouse del Queensland Performing Arts Centre (QPAC) en South Bank es un espect\u00e1culo digno de contemplar, definido por su fachada de vidrio ondulante y su ambici\u00f3n de redefinir la forma en que un importante edificio cultural interact\u00faa con la ciudad. Dise\u00f1ado por &#8230; <a title=\"Teatro Glasshouse. El nuevo \u00edcono cultural de QPAC en Brisbane\" class=\"read-more\" href=\"https:\/\/www.revistadeck.com\/sitio\/teatro-glasshouse-by-snohetta\/\" aria-label=\"Leer m\u00e1s sobre Teatro Glasshouse. El nuevo \u00edcono cultural de QPAC en Brisbane\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":10,"featured_media":130392,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"Teatro Glasshouse","_yoast_wpseo_title":"Teatro Glasshouse by Blight Rayner Architecture,\u00a0Sn\u00f8hetta","_yoast_wpseo_metadesc":"El nuevo Teatro Glasshouse del Queensland Performing Arts Centre (QPAC) en South Bank es un espect\u00e1culo digno de contemplar.","footnotes":""},"categories":[23],"tags":[16242,20037,20039,18651,20038],"class_list":["post-130391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arquitectura","tag-australia","tag-blight-rayner-architecture","tag-brisbane-city","tag-christopher-frederick-jones","tag-snohetta"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Teatro Glasshouse by Blight Rayner Architecture,\u00a0Sn\u00f8hetta<\/title>\n<meta name=\"description\" content=\"El nuevo Teatro Glasshouse del Queensland Performing Arts Centre (QPAC) en South Bank es un espect\u00e1culo digno de contemplar.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistadeck.com\/sitio\/teatro-glasshouse-by-snohetta\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teatro Glasshouse by Blight Rayner Architecture,\u00a0Sn\u00f8hetta\" \/>\n<meta property=\"og:description\" content=\"El nuevo Teatro Glasshouse del Queensland Performing Arts Centre (QPAC) en South Bank es un espect\u00e1culo digno de contemplar.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistadeck.com\/sitio\/teatro-glasshouse-by-snohetta\/\" \/>\n<meta property=\"og:site_name\" content=\"REVISTA DECK\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/RevistaDeck\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-19T20:18:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-20T18:05:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/Teatro-Glasshouse.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"793\" \/>\n\t<meta property=\"og:image:height\" content=\"515\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"ignacio\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RevistaDeck\" \/>\n<meta name=\"twitter:site\" content=\"@RevistaDeck\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"ignacio\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.revistadeck.com\/sitio\/teatro-glasshouse-by-snohetta\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistadeck.com\/sitio\/teatro-glasshouse-by-snohetta\/\"},\"author\":{\"name\":\"ignacio\",\"@id\":\"https:\/\/www.revistadeck.com\/sitio\/#\/schema\/person\/37463a4efd5156a0e72b8782203025b5\"},\"headline\":\"Teatro Glasshouse. 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