{"id":136645,"date":"2026-06-21T13:14:30","date_gmt":"2026-06-21T16:14:30","guid":{"rendered":"https:\/\/www.revistadeck.com\/?p=136645"},"modified":"2026-06-21T13:17:45","modified_gmt":"2026-06-21T16:17:45","slug":"the-death-of-robin-hood","status":"publish","type":"post","link":"https:\/\/www.revistadeck.com\/sitio\/the-death-of-robin-hood\/","title":{"rendered":"<b>\u00abThe Death of Robin Hood\u00bb.<\/b> Jodie Comer y Hugh Jackman en el thriller de A24 que dinamita el mito"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Fotograf\u00eda| A24<\/strong><br>Jodie Comer lleva a\u00f1os probando que no existe un molde que la contenga. Primero fue Villanelle, la asesina con gusto inmaculado que parti\u00f3 en dos la historia de las series televisivas. Despu\u00e9s, Sister Brigid: una priora medieval que cura las heridas del hombre que destruy\u00f3 su familia. En <em><strong>The Death of Robin Hood<\/strong><\/em>, el nuevo thriller de A24 dirigido por Michael Sarnoski, Comer demuestra una vez m\u00e1s que est\u00e1 jugando en una liga propia.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>UNA LEYENDA QUE SE CAY\u00d3 DEL PEDESTAL<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El Robin Hood de la tradici\u00f3n popular \u2014el ladr\u00f3n bueno, el h\u00e9roe del pueblo\u2014 no existe en la pel\u00edcula de Sarnoski. Lo que hay es un hombre viejo, herido y perseguido, cargando con d\u00e9cadas de violencia y cr\u00edmenes reales. Hugh Jackman interpreta al proscrito en sus \u00faltimos d\u00edas, lejos del romanticismo y cerca del agotamiento moral. La pel\u00edcula, basada en el balad medieval an\u00f3nimo <em>Robin Hood&#8217;s Death<\/em>, lo muestra enfrentando un pasado de asesinatos que el mito siempre intent\u00f3 maquillar.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Death of Robin Hood | Official Trailer HD | A24\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/tlSDDuWxO_0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La propuesta de Sarnoski \u2014el mismo director de <em>Pig<\/em> y <em>A Quiet Place: Day One<\/em>\u2014 es arriesgada: quitarle la \u00e9pica al personaje m\u00e1s \u00e9pico de la literatura inglesa y devolverlo a una escala humana, oscura, con consecuencias morales reales. El resultado es divisivo: 69% en Rotten Tomatoes, 57 en Metacritic y un C+ en CinemaScore. Pero lo divisivo, cuando viene acompa\u00f1ado de actuaciones de ese nivel, suele envejecer bien.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>EL PERSONAJE QUE MEJOR LE QUEDA A COMER<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El papel de Sister Brigid es uno de los m\u00e1s complejos que Jodie Comer tuvo que resolver. No es una v\u00edctima ni una vengadora: es una mujer que eligi\u00f3 la vida religiosa despu\u00e9s de que Robin Hood asesinara a su marido y sus hijos, y que ahora lo tiene herido e indefenso bajo su cuidado. La tensi\u00f3n que esa situaci\u00f3n genera \u2014sanar al responsable de tu propia destrucci\u00f3n\u2014 es el coraz\u00f3n dram\u00e1tico de la pel\u00edcula, y Comer la sostiene con una calma que asusta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La actriz de Liverpool habl\u00f3 con Collider sobre c\u00f3mo <em>Killing Eve<\/em> fue la bisagra de su carrera, el rol que la catapult\u00f3 internacionalmente y que todav\u00eda genera debates sobre c\u00f3mo termin\u00f3. M\u00e1s all\u00e1 de cualquier discusi\u00f3n sobre el final de esa serie, lo que qued\u00f3 claro con el tiempo es que Villanelle le demostr\u00f3 al mundo que Comer pod\u00eda llevar sobre sus hombros una producci\u00f3n entera. Sister Brigid es otro cap\u00edtulo de esa misma demostraci\u00f3n, pero en un registro completamente distinto.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>POR QU\u00c9 VALE LA PENA SEGUIRLE EL RASTRO<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">El elenco de <em>The Death of Robin Hood<\/em> es notable: adem\u00e1s de Jackman y Comer, est\u00e1n Bill Skarsg\u00e5rd como Little John \u2014el compa\u00f1ero m\u00e1s leal del proscrito\u2014 y Murray Bartlett en un papel enigm\u00e1tico. La pel\u00edcula se film\u00f3 en Irlanda del Norte con fotograf\u00eda en 35 mm, lo que refuerza la textura medieval y la oscuridad de la propuesta. Tuvo su premiere mundial en el Festival de Sydney y lleg\u00f3 a los cines norteamericanos el 19 de junio distribuida por A24, el sello que convirti\u00f3 el cine de autor en un fen\u00f3meno de masas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Con un presupuesto de apenas 20 millones de d\u00f3lares, <em>The Death of Robin Hood<\/em> no est\u00e1 dise\u00f1ada para romper r\u00e9cords de taquilla. Est\u00e1 dise\u00f1ada para quedarse. Y Jodie Comer, que en los \u00faltimos a\u00f1os acumul\u00f3 el Premio Olivier de teatro con <em>Prima Facie<\/em> y apariciones en proyectos cada vez m\u00e1s ambiciosos, es hoy una de las pocas actrices capaces de convertir una pel\u00edcula dif\u00edcil en una experiencia que valga la pena buscar. Habr\u00e1 que ver cu\u00e1ndo llega a estas latitudes, pero ya es raz\u00f3n suficiente para tenerla en el radar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jodie Comer y Hugh Jackman protagonizan el thriller de A24 que desmitifica al proscrito m\u00e1s famoso de la literatura inglesa. Una pel\u00edcula dif\u00edcil, con grandes actuaciones.<\/p>\n","protected":false},"author":3,"featured_media":136647,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"The Death of Robin Hood","_yoast_wpseo_title":"The Death of Robin Hood","_yoast_wpseo_metadesc":"Jodie Comer y Hugh Jackman en The Death of Robin Hood, el thriller de A24 dirigido por Michael Sarnoski que reinventa el mito de Robin Hood.","footnotes":""},"categories":[4906],"tags":[18742,21019,21846,21847,21848],"class_list":["post-136645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","tag-a24","tag-hugh-jackman","tag-jodie-comer","tag-killing-eve","tag-the-death-of-robin-hood"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Death of Robin Hood<\/title>\n<meta name=\"description\" content=\"Jodie Comer y Hugh Jackman en The Death of Robin Hood, el thriller de A24 dirigido por Michael Sarnoski que reinventa el mito de Robin Hood.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revistadeck.com\/sitio\/the-death-of-robin-hood\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Death of Robin Hood\" \/>\n<meta property=\"og:description\" content=\"Jodie Comer y Hugh Jackman en The Death of Robin Hood, el thriller de A24 dirigido por Michael Sarnoski que reinventa el mito de Robin Hood.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revistadeck.com\/sitio\/the-death-of-robin-hood\/\" \/>\n<meta property=\"og:site_name\" content=\"REVISTA DECK\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/facebook.com\/RevistaDeck\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-21T16:14:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-21T16:17:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revistadeck.com\/sitio\/wp-content\/uploads\/The-Death-of-Robin-Hood.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"793\" \/>\n\t<meta property=\"og:image:height\" content=\"529\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"minga\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@RevistaDeck\" \/>\n<meta name=\"twitter:site\" content=\"@RevistaDeck\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"minga\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.revistadeck.com\/sitio\/the-death-of-robin-hood\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.revistadeck.com\/sitio\/the-death-of-robin-hood\/\"},\"author\":{\"name\":\"minga\",\"@id\":\"https:\/\/www.revistadeck.com\/sitio\/#\/schema\/person\/daf0d0f923bbfa113496db60353605a7\"},\"headline\":\"\u00abThe Death of Robin Hood\u00bb. 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